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with typographic titles
Romero Britto (Recife 1963)
but also those nearby whom we do not see and remain invisible to our eyes
attributable to the print run of Eirakuya Tōshirō (early Meiji era) from the original woodblocks
fairy-tale
KHODYACHIKH TATIANA, Bicchierino in ceramica decorato e riparazione kintsugi (lacca urushi nera e colorata), produzione 1925-1945 circa vasi with typographic titlesHandcrafted cup turned on a lathe and coated with a light glaze, intermittently marked by an irregular craquel. The lines are painted with a brush while rotating the piece on the lathe: a simple decoration typical of everyday Japanese folk ceramics. The fractures, clearly visible even on the inside, have been repaired with black urushi lacquer; the missing fragment has been reconstructed in lacquer and repainted with colored urushi, echoing the lines
