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the Sunamura then known had an Hachiman temple
The geometric and chromatic decorations on the face refer to a symbolic language linked to protection and belonging
rivelare la forma delle cose attraverso un sol colpo di pennello (Denshin kaishu Ippitsu gafu)
the poet sits thoughtfully on the shore
cioè “eccellente fortuna”
HOKUSAI KATSUSHIKA, Manga n. 83, 1834 sculture the Sunamura then known hadDelicate proof in a version dating back to the second half of the 19th century. Printed on Japanese paper. In perfect condition, with a small margin all around. Bibliography M. Forrer, Manga, Hazan Eds, 2014 J. A. Michener, Hokusai sketch books, Rutland and Tokyo, 1958 G. C. Calza, Hokusai, the old madman of painting, Exhibition Catalog Milan 1999 2000, London, 2003 M. Forrer, Hokusai, prints and drawings, London, 1991 J. Hillier, The art of Hokusai
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