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Parigi 1967
In his work
with excellent margins all around the marginal line
Perfect impression in the second edition printed for the gallery il Quadro di Biella and published by Silvio Zamorani
Hasui initially studied traditional Japanese painting (Nihonga) under the guidance of Kaburagi Kiyokata
KŌRIN FURUYA, Kōrin-style Patterns n. 102, 1907 sculture Parigi 1967Stunning proof with excellent colors, in the first edition. Printed on paper from Japan during the Meiji era (18681912). In exceptional condition, with untrimmed margins all around. Bibliography J. T. Carpenter, Designing Nature: The Rinpa Aesthetic in Japanese Art, The Metropolitan Museum of Art, 2012, p. 111 J. Hillier, The Art of the Japanese Book, London: Sothebys, 1987 A. Jackson (ed.), Kimono: The Art and Evolution of Japanese Fashion, London:
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